Writers are scavengers. We ought to be, at any rate. We pick out pieces of the world we live in and leave them in the words we put on the page like a magpie stealing shiny trinkets. Maybe it’s a word we like, one that means the same thing as two or three others but has the perfect connotation– such as exasperated; it’s like annoyed, and even more like vexed, but if your character is exasperated there’s a lighter note to it that’s missing from the others.
Or maybe it’s the emotions that well up inside us when we are reunited with a dear friend we haven’t seen in years. I imagine they’re the same feelings that surge in our characters’ bellies when they finally, finally return to their loved ones after the chaos of their story.
Or it’s the cold gust of autumn wind that chills a warm day, reminding us that summer is over and winter is coming, and it’s the smell of wood smoke and fallen leaves beckoning us homeward before the early darkness shrouds our way.
Or it’s the aching exhaustion that clings to your bones after a long day of hard work.
Or the way you know beyond a shadow of a doubt that you can trust your closest friends.
Or maybe it’s just the last story you read, or watched, or listened to. The one that wrapped the vines of its tale around your heart, sharing with you some truth about being human in a broken world that resonated like a rung bell.
In some ways, even the best writers are anything but original, and the best pieces of their stories are made up of truth, and not whole cloth. Because that’s why we can connect with them the way we do. And that’s what makes them so important.