As any writer will tell you, we all find certain things easier to write than others. For me, I usually prefer to write fancy, flowery descriptions than action scenes, mostly because I find the former way easier than the latter. At the same time, I can only write so many descriptions before I get really, really bored. And, I suspect, anyone reading it feels the same way. Mostly because fancy descriptions aren’t great at moving a plot forward. And if the plot doesn’t move, it’s not much of a story*.
All of this is to say, I’ve hit that point in my current Tanner and Miranda story where I have to make something happen, and, as it always does, I’m getting caught in a slog. Because writing action and adventure scenes, while fun and ultimately the most rewarding when they work out, requires me to have a lot more figured out than just a description. It’s a bit like the difference between a still frame and a short film segment; there’s a whole lot of still frames that go into making just a few seconds of movie, and because I’ve practiced basic descriptions a lot more than I have action sequences, all the extra thought work I have to do to get the action scene to make sense and be clear to the audience is hard.
Which basically just means that I should practice more!
* There are, of course, exceptions. But that’s not what this post is about.