[Blog] Takeaways from NaNo2022

Well, look at that. Another November has come and gone, and a whole bunch of writers have emerged once more from their caves and coffee shops to blink owlishly and try to remember what life is like without an aggressively looming deadline. And, if they’re anything like me, they’re also feeling a heady mix of relief and something a little like sadness that it’s all over.

According to the NaNoWriMo website, this was my thirteenth time participating and my twelfth time reaching the 50K goal, so there’s clearly something about this event that keeps me coming back. Mostly, it’s probably the fact that it gives you “permission” to write some truly terrible prose in an effort to get enough words down on the page to do something with them later, which is something that I struggle with during the rest of the year. Also, the look on people’s faces when I cackle softly to myself and mutter something about writing alllll the words is pretty fun, too.

Generally speaking, I’ve tended pretty strongly towards pantsing it that whole time, too, with last year being the notable exception/paradigm shift in my writing strategy generally. So, naturally, I’d hoped to plan again this year; I even had my beautiful blank outlines all set up!

And then I ran out of time. And the first day of November was here. And my outline was most emphatically not.

Which leads me to the rest of this post and what new things I’ve learned about myself as a writer.

Now that I’ve tried it, I much prefer working with a plan than without one.

This one surprises me a bit. Because for years, I gleefully embraced the chaos of writing with No Plan and only the faintest inkling of where to go. Characters made decisions and caused trouble. Plots spiraled and careened and dead-ended and reappeared out of nowhere like squirrels that got into a big bag of espresso beans. I felt free to write whatever the heck I wanted with absolutely no concern as to whether it made sense or not.

If pressed, I can still do that. That’s basically what I did this year, though with admittedly a bit more of a roadmap to go off of than some of my other projects. I knew the themes I want for this particular story, and I had several solid scene ideas that I wanted to get down. But the overarching movement of the story? Not so much. Which, on a related note, is probably why my 50K devolved very quickly into a bunch of random scenes and descriptions with little to no linear cohesion.

But for the whole month, I had to fight the feeling that I didn’t have a story so much as a setting. NaNo always feels like something that gets you a Draft Zero– something that’s such a wild jumble that other rough drafts look at it and squeak in dismay. After having my last project at least follow some semblance of a plot, that feeling was even stronger for this one, which was actually rather disheartening.

Frustrating as it was, it was also helpful to write without a plan.

The biggest trouble/pitfall/danger of writing with a careful outline is that it can be really, really easy to lean into a bunch of lazy clichés in order to tick off all the boxes that You’re Supposed To. And if you’re coming at it from the outline first, before you even start writing, the temptation is only going to be stronger. At least, that’s what I’ve found for myself: “Ah, yes, it’s the end of Act II and time for the all-is-lost moment. Clearly I must kill off my main character’s best friend.”

But what I found when I had to just write without having those pivotal plot points already mapped out was that some of the ideas that fell out onto the screen were better than anything I was going to come up with while staring at a blank outline that needed filling in. They still need tweaking and a lot of work (and probably a ruthless editor) to get them as good as I want them to be, but the bones are good, I think. Really good. Good enough that I’m really excited about the possibilities.

I’m not burned out on the story.

This one. Huh. I can’t remember ever getting to the end of November and not just wanting to set the document (and all its backups) on fire. Or at least to close it and pretend it doesn’t exist for a month or two. And really, I don’t know if this is a side effect of free-styling it or just where my head is at the moment, but the fact remains that I am legitimately excited to go back now that I have the luxury of time and work on fitting the raw material I wrote in November into the outline I didn’t manage to make beforehand.

Because I think there’s a chance that it’s going to be even better than if I did it the other way ’round.

Outlining last year changed the way I write without an outline.

I think the best way to explain this is to say that planning or outlining or whatever you want to call it is another tool in the writing chest, and I can get at least some of the benefits even without going whole hog on it. The exercise of writing and (more or less) sticking to an outline last year got me thinking about structure and writing in a way I hadn’t practiced, and that’s made it easier to see where the random scenes that spilled out last month might fit into a cohesive whole.

I think– I hope– that that means I’m a better writer. A more focused one, at least. More experienced. And that’s pretty cool.


If you participated, how did your NaNo projects go? Really well? Not so well? Really… different? Feel free to drop a line in the comments! In the meantime, I’m gonna go try to get some work done on any of my at least half a dozen neglected writing projects. Like Tanner and Miranda.

Happy December, y’all!


[Blog] Where does the time go?

So, apparently, November begins in less than a week. Goodness.

Naturally (read: Faith is addicted and can’t really help herself), this means that I have less than a week to get herself in a passable headspace for NaNoWriMo. The good news is that I do know what project I will be working on, and I have at least a modicum of planning done to help me through. The bad(?) news is that between… everything, but especially starting a new job in a new state and all that, I haven’t done nearly the amount of planning I did for last year’s NaNo.

Which maybe isn’t entirely bad?

I still love what planning out a novel in advance can bring to the table. And it’s not like I’m going into this completely blind– in fact, I’ve got a decent idea what I want the main beats for the story to look like. But aside from that? It’s all a blank page. And that’s an excitement all its own.


[Blog] Looks Like I’m a Planner

So! The first takeaway I have from the grand experiment that was me actually planning the project I worked on this past November is: I must be a planner after all. My friends. I cannot overstate just how much easier it was for me to write throughout the month. I didn’t get stuck. I didn’t waste time wondering where I needed to take the story next. It just didn’t happen, and that was weird and wonderful and I’m never going back.

That being said, it wasn’t without its hitches, which is why I’m not actually sitting here with a complete first draft of my new novel. In fact, if I’d had to go past 50k this past month, I almost certainly would have gotten stuck. And despite the wordcount I reached, I didn’t get all that far into the story. (That, at least, is normal: my first runs through new stories always run long as I figure out what I’m doing.) The difference being that I know why I got stuck. I didn’t have a clear vision of the weird, wacky world I was throwing my poor character into, which, naturally, made it difficult to write about.

And the other half of knowing why is knowing how to fix it. Roughly speaking. It’s meant that I made the decision to step back and return to the structuring/outlining phase, and I may or may not be able to repurpose the stuff I wrote during November, so in some ways I’m sure it doesn’t look all that different from previous years with regards to what I actually managed to take away from the event. But instead of having a huge mess of words and no clear idea of where to go with it, I have a huge mess of words and a much stronger idea of where my planning went wrong and what I need to do to fix it. If nothing else, I’d call that progress.

Additionally, it’s made it clear that all my other projects could benefit from the same treatment. Specifically, Tanner and Miranda. I’m not gonna like, I’m currently in the thrall of this shiny new plotting/planning thing, so there’s absolutely a huge part of me that wants to say that this is exactly what I needed in order to finally finish the darn thing. And who knows– maybe it is going to make all the difference, and I’m not just making like James Garner in Support Your Local Sheriff (I refuse to let this story become my own personal Australia).

In short, I’m excited. So excited. I write better when I plan like this, and reaching the “end” of a project seems like it’s within reach as opposed to just being some mystical, theoretical state of existence that my projects have no real hope of ever reaching. I suspect I’m going to have to learn how to balance some elements of both– half of the excitement of writing comes from the times the characters take over and decide to do their own thing (this November his name was Locksley and my sister got all kinds of texts of me complaining about his hijacking of the story)– but I think this is another one of those “you have to know the rules in order to know how to break them” cases. And it’s really, really cool to be getting a better handle on the rules of my craft.


[Blog] Here we go!

Last blog before NaNo! Now, if I was really organized and professional and all that, I would have built up a buffer to get through November so that I didn’t have to worry about it while aggressively noveling.


I am not. And so I didn’t.

And if I’m honest, even this one is more me rambling than writing anything structured enough that I could generously describe as an essay. Which, to be clear, is fine by me. Mostly, I’m really excited for next month. Which I think I’ve been saying on and off for the last two. Oh well. It’s still the truth.

This will be my twelfth time participating in NaNoWriMo. (Get a hobby, you say. I already have one, I reply.) I’ve reached fifty thousand words eleven times. The one time I didn’t, it was the year my college campus got hit by one of those infamous California wildfires, so I’d argue that I had a good excuse. Now, here’s where the numbers get a little less ideal: of those eleven manuscripts, I have… one that qualifies as a proper draft. Three if you count the two that gave me the skeletons for the various Tanner and Miranda stories.

Like I said: less ideal.

That’s not to say I consider those other eight (or nine, counting the unfinished one) to be failures. If nothing else, they greased the gears and got me writing. So what if none of it is much good? You can’t edit words that never made it to the page, and you don’t get better without practice. And considering that I participated in my first NaNo when I was sixteen, that counts as a lot of practice. And a lot of encouragement from an exuberant writing community. And a lot of exposure to all kinds of different writing advice and methods. Enough that I had a lot to work with when figuring out my own.

So here I am. 2021. Doing it again and trying to take it a step further. We’ll see how it goes.

What about the rest of you? Anyone doing NaNo this November? How are you feeling here, standing on the brink? Ha!


[Blog] Plans and Progress!

So, the other day I was chatting with my sister/writing buddy, and I started explaining my general premise for The Dalton Job. And, to my surprise, I found that I actually did a relatively good job at explaining it, complete with a few details and the basic gist of the plot. And to my even greater surprise, I didn’t finish and feel like the whole thing was more plot hole than actual plot.

It’s a high bar, I know. But honestly, I’m really excited. Because a bunch of what I was talking about was stuff I’d been grappling with for some time that didn’t seem to quite make sense. I’ve still got a long ways to go, of course, and a basic plot treatment that doesn’t shriek inconsistencies is a long, long way from a complete book, but it’s definitely progress. And that’s nice to see.

“I love it when a plan comes together.”

[Blog] November Plans

One of these days, I’m going to figure out how to get used to what month it is before the darn thing is a third gone. I mean really.

Between work and a mild cold, the draft of the Tanner and Miranda Chronicles is moving slower at the moment, but it’s still moving, and I’m happy with the ideas coming out of the explosion of words on the page. I’m still trying to figure out how the last couple of stories work into the greater arc, but if the last few have been any indication, it’ll sort itself out on its own as I work them onto the page.

I’m also trying to plan out more of the story for November, since it’s going to be a bit longer than the individual Tanner and Miranda stories I’ve written up previously, and the nature of the premise means I’m going to have to have things more planned out than usual if I hope to maintain any sense of continuity. It’s a tall order, particularly during November, I know, but who knows! I’m already trying to figure out how to put up string and flash cards somewhere in my room to make a sort of makeshift and readily changeable timeline. It could work!


[Blog] Murphy’s Law Plotting

I’ve spent my writing time this week trying to figure out how to harness Murphy’s Law for the next Tanner and Miranda story. It’s been so much fun, and and has mostly involved me writing lists for the plot with what should happen on one side and what actually happens on the other. I’ve also been cackling the entire time, which has drawn a few strange looks and worried glances, but oh well. At the risk of drawing even more worried glances, it’s been a rewarding process, and I’m excited to see the result of this embrace of absurdity.


[Blog] Different Sorts of Progress


This week, it’s felt like I’m not making any progress with writing at all. The words just aren’t coming, as, sometimes, they won’t. I’ve come down off the giddy high of completing a chapter, only to find that the one I need to write next is different enough from the first that I almost need to relearn what I’m doing. And I’m not going to lie… it’s a little frustrating.

And yet, despite the lack of a climbing wordcount to provide evidence that I have, indeed, been working at this recalcitrant beast of a novel, it hasn’t all been a waste. Because aside from the different pacing causing me some trouble, every time I get stuck it’s been an indication that I don’t have things structured and plotted and planned as well as I thought I did.

So I’ve been going back and outlining and answering all those niggling little questions that keep pulling me up short: “Is that really how the captain of a bunch of bold outriders respond to that situation? Or is that how I think I would/ought to respond to it? What exactly is the method of government in this fictional kingdom thingy? And how big is it?

And there, I have made progress. Organizational progress. And while I fully admit to having, at times, used such things as an excuse to keep from doing the so-called actual work of writing, for once, that’s not true. Because while I may have not made it much farther, at least every question I’ve answered has made the next sentence a little easier to write.